Nahon Museum of Italian Jewish Art
Posted by Avital Pinnick on September 15, 2010
Or “How to photograph a small museum collection in thirteen minutes….”
Yes, these photos and the ones in my Flickr set really were taken in thirteen minutes, with the exception of the courtyard shot, which I took after we had left the museum.
I went with several fiber enthusiasts to see an exhibit at the U. Nahon Museum of Italian Jewish Art. Our small group, led by Haya, a Jerusalem-based weaver, included Phyllis Kantor, an American weaver of Judaica, and Megina Schlein, Judaica embroidery teacher and author. Haya was intrigued by an unusual piece of lace that reminded her of pomegranates. I wanted to show it to other lacemakers to see whether anyone recognized the style. Ten minutes before closing time, I asked the man at the desk whether it was possible to purchase a photo of this unusual lace Torah scroll binder, since a sign said that photography was forbidden. He said, “You can take pictures if you don’t use a flash.” Woohoo! This is by no means the complete collection, although it’s a small museum. Here are a few highlights.
The photo above is the Torah ark of the restored Italian synagogue, which is still used for services. The men sit below in the pews. The women’s section is above, behind the carved wooden panels. It’s a very small synagogue but it looks rather impressive when photographed with a wide angle lens. (I’m very glad that I thought to take the lens with me, although I never imagined that they would let me photograph inside the museum.)
Here is a view of the synagogue in the opposite direction, towards the bima, where the Torah scroll is read:
The museum is located on Hillel Street in downtown Jerusalem. If you are walking down the street from King George, it’s on your left, past the Absorption Ministry and a small shopping mall. The photo below was taken in the courtyard. The original photo was terrible. We were rushing off and I didn’t have time to change from a wide-angle to regular telephoto lens, so I had to correct the distortion with Photoshop. The colours were horrible because the sky was white and cloudy behind the building, so I coloured it sepia.
The collection included some splendid eighteenth century ketubbot (marriage contracts). This detail shows an idealized picture of Jerusalem surrounded by the signs of the zodiac. You can see the other ketubbah photos in the Flickr set.
Another ketubbah, with a naked Adam and Eve painted in a naive style. They are flanked by an Italian couple in period dress.
The photo below shows several charity collection boxes. The doors are wood with metal hinges and reinforcement. They are set into marble. The inscriptions above the boxes indicate different funds. From left to right: Rabbi Meir (possibly the fund of Rabbi Meir Baal haNes), Jerusalem, hospital, candles, charity, old people’s home, and building maintenance.
Torah binder (also called wimpel or binder), 19th century bobbin lace, very similar to Milanese in style. Cotton threads on silk backing.
This is the mysterious lace Torah binder that led to my taking all these photos. It’s cotton bobbin lace on a silk backing. It looks very freeform, but one person has said that she can see pattern repeats. A couple members of the Arachne lace list think it’s some form of Binche lace.
Another Torah binder, made from 16 squares of linen joined with lace inserts. Each 20×20 cm square has a word embroidered in chain stitch in Hebrew, forming the dedication: “Blessed is he who gave the Torah to his people, Israel, in his holiness / I shall pay my vows to God / By Tamar, wife of the honoured teacher, Moshe/ The righteous shall flourish like a palm tree / Year 1572” (Baruch shenatan torah le-amo yisrael bikedushato / Nedarai la-shem eshalem / na’am marat Tamar ishat km”r Moshe yz”v / Tsadik katamar yifrach / Shanat ).
Carved Torah ark, Eliyahu’s chair on the left, candlestick in front.