This and That

Random bits of my life

More from the Jerusalem Festival of Light 2017

Posted by Avital Pinnick on July 11, 2017

“RGB3D” (Ido Scherf and Shai Shtarker, Israel) was a clever installation. At first glance it looked like a pretty but meaningless display of coloured lightbulbs behind a fence. In front of the fence were three steps, coloured red, blue, and green. When viewed from the top of each step, the lights spelled the name of the colour. I took this photo from the RED step.

|RGB3D, Jerusalem Festival of Light 2017

“Moon Haze” (Feng Jiacheng and Huang Yuanbei, PR China), or the far side of the moon, literally. I walked around it to the other side to photograph the inflated moon at a reasonable distance, away from the crowds. I included the guy with the phonecam to show scale. The moon is sitting on the 3,000-year-old Broad Wall, one of the ancient city walls of Jerusalem.

Moon Haze, Jerusalem Festival of Light 2017

I’ve seen some weird things in the Muristan but “Oasis” (Gil Teichman, in collaboration with Nitzan Refaeli and Ronen Nadjar, Israel) tops them all. The installation “includes a special performance of favorite elephants from previous festivals.” Previous festivals? Does that mean previous Jerusalem Festivals of Light? Did anyone see the elephants performing? I saw inflated elephants with a soundtrack of elephants trumpeting. If someone managed to get elephants into the cramped streets of the Christian Quarter, that would have been quite a logistcal feat.

"Oasis," Jerusalem Festival of Light 2017

Batei Mahsei has had some stunning video-mapping installations projected onto its distinctive arched facade in the past. This was not one of them. “Dream Machine,” by Liron Gavish, Shootzi, Tal Heuberger, and Ido Ramon, Israel. It was pleasant but not stunning.

Dream Machine, Jerusalem Festival of Light 2017

“Drawn in Light,” by Ralf Westerhof, The Netherlands, was simple but surprisingly effective. The three-dimensional wire house, trees, and other elements, suspended as a giant mobile, comprised a constantly changing landscape. The house’s rotation revealed new details and perspectives. It’s difficult to show scale in a photo. According to the description, the installation was 13 meters wide.

Drawn in Light, Jerusalem Festival of Light 2017

“Cathedral of Mirrors” (Mads Christensen, Denmark) was an interactive installation with motion sensors. The colours shifted and pulsated when people walked between the columns or touched them.

Cathedral of Mirrors, Jerusalem Festival of Light 2017

“Fly,” by Itzik Ilus, Israel. Clear plastic birds lit by coloured lights. This year the route was marked by orange arrow signs. They were much more difficult to locate and follow than the strings of LED lights usedat  past festivals. Please bring back the light strings! You have no idea how many people missed the sharp right turn down the stairs to Batei Mahsei, walking from the Cardo to the Hurva by accident.

"Fly," Jerusalem Festival of Light 2017

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“Solaris,” Hurva Synagogue – Jerusalem Festival of Light 2017

Posted by Avital Pinnick on July 6, 2017

“Solaris” is a video-mapping installation by Visualsupport, Poland, incorporating the Hurva Synagogue. The festival brochure describes it as the show’s “world premiere in Jerusalem.” It was pretty, but not amazing. Scroll down for the video.

Solaris, Jerusalem Festival of Light 2017

Solaris, Jerusalem Festival of Light 2017

Solaris, Jerusalem Festival of Light 2017

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Concert and Candles in Zedekiah’s Cave – Jerusalem Festival of Light 2017

Posted by Avital Pinnick on July 6, 2017

Where else could you see a piano concert at the bottom of a 2000-year-old cave? “Interactive Shadows” (Studio Insight, Guy Romem, Israel) refers to the cameras set along the path to the bottom of the cave. The cameras project images of the viewers on the walls, with different effects (line drawings, coloured silhouettes, etc.).

The musicians are listed as Yoel Shemesh and Achiya Asher Cohen Alloro. I have no idea who was playing that evening. At one point there was a loud cracking sound. The pianist, without missing a beat, looked over his shoulder at a bench that had collapsed in the middle from the weight of the children.

Interactive Shadows, Jerusalem Festival of Light 2017

Interactive Shadows, Jerusalem Festival of Light 2017

Interactive Shadows, Jerusalem Festival of Light 2017

Selfies….

Interactive Shadows, Jerusalem Festival of Light 2017

Interactive Shadows, Jerusalem Festival of Light 2017

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The Tribe – Fire Dancers at the Jerusalem Festival of Light 2017

Posted by Avital Pinnick on July 4, 2017

Fire and dance show called “The Tribe” (Lital Natanzon, Israel), in the open auditorium on Tsanchanim Road. I can’t say that I noticed any characters or encounters with figures from other worlds, but it was fun to watch. There are only two performances, at 8:30 and 9:15. I recommend you try to get there early, maybe first on your agenda, because it does get crowded.

Long exposures are not easy when handheld at a significant distance.

The Tribe, Jerusalem Festival of Light 2017

I call this one Headless Nick. Strange effect!

The Tribe, Jerusalem Festival of Light 2017

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Peacock and Greek Folk Music – Jerusalem Festival of Light 2017

Posted by Avital Pinnick on July 4, 2017

It’s that time of year again! I love photographing the annual Festival of Light in the Old City. This is the festival’s ninth year. I think I’ve missed only one.

The Peacock (Tim Scofield Studios, USA), was one of my favourite installations. It’s located on Chabad Street, close to Zion Gate. Comprising more than 14,400 individually addressable LED lights, it measure more than 12 m. wide and 6.5 m. high.

"Peacock," Jerusalem Festival of Light 2017

"Peacock," Jerusalem Festival of Light 2017

I think I was playing with longer exposures when I took this photo.

"Peacock," Jerusalem Festival of Light 2017

Here’s a video of the Peacock:

Two Israeli musicians playing Greek instruments. The bowed instrument is a lyra creta and the other is an outi.

Greek Folk Music, Jerusalem Festival of Light 2017

In this video I shot, the guy on the right has bells attached to his bow. It’s very cool how he’s able to shake his hand to make them ring in time to the music.

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Flowers from Work

Posted by Avital Pinnick on June 4, 2017

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When I got a text message this afternoon about a flower delivery, I thought that it might be a hostess gift from my sister-in-law, who is staying with us for a couple nights. Baruch thought the flowers might be from friends wishing me luck when I start my new job at Red Hat tomorrow. I was stunned to discover they were from Red Hat. I don’t think I’ve ever heard of an employer doing that!

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From Cisco to Red Hat

Posted by Avital Pinnick on May 19, 2017

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Same satellite dish, as NDS and Cisco. I’m not sure whether this dish will be around next year, so I’m glad I got these photos. If you’re wondering how I did it without a helicopter, HR asked me to record the changeover of the signs and dishes. I spent two days taking photos on the roof and in front of the building.

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Just before Passover I was laid off by Cisco. It was hard, not having looked for a job, um, ever…. Seriously, my previous jobs all fell into my lap. Of course I had the usual worries about my age, my less-than-fluent Hebrew, and my hodgepodge training. I sometimes tell people I went to YouTube Uni to learn engineering. I decided to return to technical writing because (a) there are way too many good engineers looking for jobs and I can’t compete with eng. degrees and certs, (b) I stand out more as a tech writer with Integration&Testing and DevOps experience than I do as an engineer who can write well, and (c) bottom line: I can earn more as a senior technical writer than as a junior engineer.

I started interviewing at two companies, a well-known automotive tech company in Jerusalem and Red Hat in Raanana. I was concerned about the killer commute, living in Maale Adumim and not having a driver’s license, but Red Hat’s policy is to allow workers to work from home, especially if they live far from the office. They made me a very good offer and I’ve accepted.

I finish at Cisco on May 28 and start at Red Hat on June 5. Sometimes things really do work out for the best!

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A New Muse

Posted by Avital Pinnick on January 27, 2017

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My first grandchild, a girl, was born last week. Her name is Shakked (“almond”) Miriam. Look at all that hair!

In the photo above she is 8 days old. In the one below, she’s about 8 hours old. I took these phones with my phone, but I’m seriously tempted to bring my camera out of retirement. I even put away my cobweb Orenburg shawl (temporarily) to work on a couple baby sweaters. It’s rather relaxing to knit something that doesn’t require reading glasses.

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More Shops in Venice

Posted by Avital Pinnick on January 12, 2017

As a follow-up to my earlier posting, unusual shops in Venice, I’m posting some more shop windows and displays.

In a glass shop in the sestiere of San Marco, I found this chess set showing Ashkenazi vs. Sephardi Jews. I’m not sure this set would be very functional because the pawns are different designs and you would need to agree, in advance, on whether a Jew holding a palm branch or a Torah scroll is a bishop or a knight. Some stores have lights in their display windows that interfere with cellphone photography (the lighting turns bright pink or purple), but DSLRs are not affected.

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I bought this vase in a small glass shop in the San Polo sestiere. It’s probably a knock-off because it’s so cheap (25 euros = 100 NIS); the clerk said it was the last one in that design. Although I looked in lots of glass stores, I saw very few asymmetric teardrop vases, and the ones I did see were half the size, twice as expensive, and not as beautiful. The design is similar to the work of Vetreria Artistica Oball in the sommerso (“submerged”) technique. It’s 10 inches high and weighs about a kilo. The seller packed it in bubble-wrap and newspaper and sealed it in a sturdy, sealed carton. I shlepped it around Italy in my suitcase and hand-carried it on the flight back. The photo was taken when I got home. I love the clean, elegant lines and jewel colors of this piece.

Vase from Venice

All Saints’ Day is a public holiday in Italy, but who knew that they celebrated Hallowe’en with Jack o’lantern and bat cookies? Bakery in San Polo, Venice.

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These dishes with three-dimensional sculpted mice and pigs are adorable. I’m sure they’re decorations. If you were to eat off them, you’d have a tough time getting the food out of the crevices and you’d probably chip an ear or a snout.

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Everyone needs a gondola kit. Gondolier and velvet upholstery not included. They got the shape right–a gondola is asymmetrical. Because the oar is plied from one side of the gondola, that side is less curved, so that it will glide in a straight line.

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I would have loved a cheerful ceramic spoon rest for my kitchen counter, but there was a limit to how many breakable objects I was willing to carry.

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Torrone morbido (soft nougat) is a traditional Italian Christmas confection made from honey/glucose, beaten egg whites and lots of nuts. Here’s a recipe for a large quantity, with a video, Jamie Oliver’s version (requires you to wave a blowtorch around the metal mixing bowl during whisking), a beautifully photographed recipe that makes smaller quantities, and an extremely simple Sardinian torrone that requires only three ingredients: nuts, honey, and a couple egg whites. The commercial torrone have food coloring added. The homemade versions are extremely pale or white.

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Lady with Unicorn Embroidery: Almost at Half-Way Point

Posted by Avital Pinnick on January 8, 2017

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I’m still working on the never-ending “Lady and Unicorn: Sense of Hearing” embroidery. I’ve just finished the second row of charts, which means I’m just a few rows above the halfway point! (The last row of charts isn’t a full page.)

This piece is 318 x 410 stitches (total: 130,380 stitches), with 133 colours (mostly blends of two strands). It uses about 20 different shades of red. Good thing I don’t mind looking at the colour.

Lady with Unicorn: Sense of Hearing
Chart

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